In my experience, 2 devices will ultimately save you effort and frustration. Anything you choose as a good NAS/seedbox will be unlikely to have a good from the couch interface or handle Netflix reliable and easily. A small Android TV box may have a much better interface, simple app setup, and support all the streaming services, but probably won’t be very powerful or convenient to use as a NAS. The NAS is always on, plugged directly into the Internet access point, and tucked away out of sight and sound. The Android TV or Apple TV box is silent, small, and can be mounted directly to the Beamer/Projector.

Yes, Kodi exists and it’s add-ons can bridge this gap. But I still think that a SBC NAS running Jellyfin or plex + an Nvidia shield with jellyfin, Plex, Netflix, Spotify, YouTube, amaon, etc. will be so much easier to setup, manage, find support for, and upgrade.

I have a similar setup even though my server has a direct HDMI link to my TV. I’m not a fan of viewing using the server it from the couch. Setting up IR remotes sucks always. And it’s confusing for anyone but me to use. But if my Nvidia Shield dies or I’m having network trouble, VLC a pretty good backup.

Maybe they are illuminating their living room with the front end of a BMW.

Better yet, it’s a Pimp My Ride style makeover that replaces those unused turn signals with a projection system for an instant drive-in movie experience.

Like every system? What’s the actual distinction you’re trying to point out?

I think the more nuanced take is that we should be making “piracy” legal by expanding and protecting fair use and rights to make personal copies. There are lots of things that are called piracy now that really shouldn’t be. Making “piracy” legal still leaves plenty of room for artists to get paid.

I’m just curious how much RAM you think that is.

Docker compose is just a setting file for a container. It’s the same advantage you get using an ssh config file instead of typing out and specifying a user, IP, port, and private key to use each time. What’s the advantage to putting all my containers into one compose file? It’s not like I’m running docker commands from the terminal manually to start and stop them unless something goes wrong, I let systemd handle that. And I’d much rather the systemd be able to individually start, stop, and monitor individual containers rather than have to bring them all down if one fails.

You don’t need to get too complicated with scripts if you let Picard do all the tagging and renaming. In my experience it works pretty well with the default out of the box configuration. Just don’t try to do your whole library at once, just go album by album and check each one is matching with the correct release. I was in the same boat about a decade ago and did the same, just a few albums a day getting tagged and renamed into a fresh music directory. And of course, make a backup first, just in case.

Lately I’ve been going through this process again because I messed up configuring Lidarr and many files got improperly renamed. Since they were all still properly tagged, fixing them has been easy, especially with Picard. I haven’t really bothered to find all the stray files yet (they’re still roughly in the right location) because Plex ignores the paths and just reads the tags so the misnamed files aren’t even noticable in Plex

When you say Plex interface remotely, are you referring to the Plex app or PlexAmp app? I feel like PlexAmp fixed all of my complaints about listening to music through Plex (the same app I use for videos).

Easytag works pretty well for me on Linux, when I’m not just using Picard. I use EasyTag mostly for fixing and normalizing the tags on audiobooks these days.

Jack of all trades, master of none. Forcing a router reboot to get the home Internet working again has become a thing of the past since I set up a unifi router and APs.

I’d had router/WiFi combos before running either dd-wrt, open-wrt, or tomato. None of them were stable. But I suspect that was because the hardware just couldn’t keep up, not because the open source software was faulty.

Why? If the power has gone out there are very few situations (I can’t actually think of any except brownouts or other transient power loss) where it would be useful to power my server for much longer than it takes to shut down safely.

Could’ve fooled me. Other people interpreting the things you say based on your words alone is not a strawman argument though. We should all just chill. Yeah, maybe I haven’t listened to everything I’ve collected, but it’s a lot easier to collect now and listen later than search in vain when I want to find something.

People like what they like. I like to collect and listen to music. It’s NOT cool to shit on someone else hobbies and interests just because you don’t get it. If you can’t understand that, then yes you are being a naive jerk.

Yeah, this is a question in bad faith from a child to someone that’s been curating a collection of music for more than a quarter of a century.

This isn’t even my entire collection, I’ve got at least a couple orange crates packed with vinyl, CDs, mp3s, concert videos, and even some cassettes for nostalgia. Do I listen to everything I’ve gotten digitally? Not yet, but I don’t plan on stopping my listening any time soon and drive space is cheap, so I figure that I’ve got time.

Your “logical timeframe” is both naive and deeply insulting. I’m going to enjoy my library hobby anyway, but you can just fuck off with your negative attitude.

That’s what I get for using an online calculator.

Still I’ve got almost 40,000 FLAC files of various quality levels with a duration of roughly 2,700 hours taking up only 1.2 terabytes. Still within the same order of magnitude and still plenty of space in 2TB for a collection I’ve been curating for 25 years. I don’t think it’s worth my time to suddenly manage a lesser quality copy of each of those just for a portable player.

Making a lower quality copy of a file to save a minimal amount of space is a waste of my time. Besides 2TB is enough space for over 7,000 hours of basic 44.1kHz 16-bit FLAC listening.

Edit: That’s what I get for using a random online calculator. Based on the 39,354 FLAC files I have (of various encoding qualities), totalling 1.19516 terabytes and about 9686530 seconds of audio, I can expect a 2TB SD card to fit somewhere around 4,444 hours of FLAC audio. That still seems like enough.

That’s not relevant at all.

I know how it works. And I’m saying it doesn’t work for me. Ubuntu has an app store too and it fails for the same reasons the Windows store fails. Only windows and Mac users expect such a fragmentary and redundant system of what you call “integrated” updates.

Function. In this case it’s not just a matter of definitions because the windows options do not offer the same utility and convenience I’ve come to expect from a package manager for the last decade or more. It’s a bit like me asking for a chocolate chip cookie and someone handing me a handful of chocolate chips and a cup of flour and wondering why I look disappointed.

I expect a package manager to handle all of my packages, be they system or third party. I also expect to be able to add repositories from developers for apps I need to be more up to date than the default system versions. This functions to also allow applications to be managed that aren’t in the default repositories at all. I expect to be able to handle all updates with a simple command and be able to schedule those updates for when it suites my convenience, not when the operating system developers see fit. Those are the things I mean when I call something a package manager.

The windows store is really just a single application repository though, not a full featured package management system e.g. one that updates the operating system itself or allows alternative repository sources.